A scenic world in Lu Yang’s ‘DOKU, The Binary World’
Dance Informa reviews multidisciplinary artist Lu Yang's 'DOKU, The Binary World' at the Sydney Opera House.
Eliza Cooper’s eerie and captivating ‘Bat Lake’
Dance Informa reviews Eliza Cooper's 'Bat Lake', presented by FORM Dance Projects as part of Dance Bites 2022.
Sydney Dance Company dazzles in triple bill ‘Resound’
Dance Informa reviews Sydney Dance Company in triple bill 'Resound', with works by Rafael Bonachela and Stephanie Lake.
Malthouse Theatre and Stephanie Lake Company premiere ‘Monsters’
Malthouse Theatre and Stephanie Lake Company have collaborated for 'Monsters', to be presented 24 November - 11 December.
Keeping culture alive: The United Ukrainian Ballet’s ‘Swan Lake’
Dance Informa reviews The United Ukrainian Ballet's production of 'Swan Lake' during the company's Australian tour.
Rodger’s + Hammerstein’s ‘Cinderella’ brings all the sparkle with a twist
Dance Informa reviews Rodgers + Hammerstein's 'Cinderella', with choreography by Josh Rhodes, at the Sydney Lyric Theatre.
Book review: ‘Falling Through Dance and Life’ by Emilyn Claid
Dance Informa reviews the book, 'Falling Through Dance and Life', written by Emilyn Claid, which analyses the significance of falling.
British-born ballet star unites Russian exiles in a dance of defiance - The Guardian
The British performer left Russia after 12 years and has organised a show with Russian and Ukrainian dancers to demonstrate friendship
What the Departure of Julie Kent Means for the Washington Ballet - WCP - Washington City Paper
TWB's star artistic director Julie Kent heads to Houston, leaving many wondering what’s next for the local ballet company.
English National Ballet: Ek/Forsythe/Quagebeur review – masters at work - The Guardian
Mats Ek’s Rite of Spring is a pared back but powerful take on Stravinsky’s mighty score and William Forsythe’s Blake Works 1 is intensely watchable
“Ballet des Porcelaines” at MIT | MIT News | Massachusetts Institute of Technology - MIT News
"Ballet des Porcelaines" is a contemporary reinterpretation of an 18th century ballet at MIT that reveals the fragility of orientalist fantasies. A dance performance and lecture was presented by MIT History, SHASS, Architecture, MTA, Global Languages, and...
Ballet Dancer Misty Copeland On Her Favorite Workout & Personal Approach To Self Care - The Zoe Report
Ballet dancer Misty Copeland chats with TZR about her latest endeavors and overall career. She also shares her tried and true wellness and self-care secrets.
Misty Copeland: Ballet 'gave me a sense of security and structure' - The Washington Post
A principal dancer for American Ballet Theatre, Misty Copeland explains why a lack of representation onstage didn't deter her from pursuing her career.
Birmingham Royal Ballet: Into the Music; Made in Leeds: Three Short Ballets – review - The Guardian
Inspired by Munch paintings and infused with hip-hop, two invigorating triple bills by Royal Ballet alumni are a riot of styles and contemporary staging
City Ballet celebrates 'the father of American ballet' - The San Diego Union-Tribune
City Ballet continues its 30th anniversary celebration with its 21st Balanchine presentation: 'From Balanchine to Martins: 20th Century Masterworks'
